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Recent Wine Pleasures

  • 1998 Domaine de Pegau
    Good friends Barry and Lea Stern, brought this perfect, perfectly aged, 11-year-old Chateauneuf du Pape to our home to complement a roast chicken dinner. I know that it is early in the year -- only March -- and crazy to say, but this is likely the Wine of the Year. Already. I can't think of a wine that has brought so much pleasure to the dining table in half-a-dozen years. A complete, compelling beverage, filled with fruit, earth, complexity and elegance. A truly remarkable wine. At its peak. Not one day too young, not one day too old, on either side of Perfection. 100 points.
  • 2001 Vieux Donjon, Chateauneuf du Pape
    The only wine in my life of which I have drunk an entire case and rated every single bottle of the case a near-perfect wine was the 1990 Vieux Donjon. I LOVED THAT CASE. I was apparently justified in my thinking about the 1990 Vieux Donjon; in a recent issue of Robert Parker’s Wine Advocate, he quoted sommelier Doug Mohr of Vidalia restaurant, in Washington D.C., who marveled that “the greatest wine he had ever tasted was the 1990 Vieux Donjon Chateauneuf du Pape.” Gentlemen of the jury, I rest my case. For dinner this week, to complement Carol’s perfectly prepared pappardelle with veal ragout (a variation of a Mario Batali recipe, only she did it better!), I opened the 2001 Vieux Donjon, which offered a near-duplicate experience of the 1990 vintage. Here was a wine of exceptional length, extraordinary quality. This is a perfect wine, a brilliant wine, elegant, rich, balanced. A 100-pointer. There was nothing missing, no flaws, only gemstone brilliance, bright mature fruit, terroir, minerality, and a finish that Burgundian producers would kill to have. The 2001 Vieux Donjon is long gone from retailer shelves, but look for the 2005 and 2006 vintages, which are helluva good. This is a wine that will improve with age; I like to drink my CDPs (Chateauneufs-du-Pape) with not less than seven or eight years on them.
  • 1997 Beringer Private Reserve Cabernet Sauvignon
    I have long respected Ed Sbragia’s work as wine director at Beringer and thought that his best-ever achievement (of many brilliant achievements) was his 2001 Beringer Private Reserve Cabernet. But the 1997 vintage, which we opened this week for out-of-town visitors from Canada and England, was, to my mind, perhaps the single most compelling wine of Ed’s that I have ever tasted; it is rich, rich, rich (did I forget to say rich?) in complexity, flavor, and texture. To be blunt: it is a textbook-perfect wine at this age and stage of evolution. You may have read reports in Wine Spectator that the 1997 Napa Valley Cabs are beyond their prime, dried up, finished, kaput. Forget that nonsense. I have opened more than a dozen different 1997 Napa Valley Cabs this year from many different producers and they have been spectacular. In essence, don’t believe what you read, unless, of course, you read it here. But not a one of the dozen or so 1997 Napa Valley Cabs, which we opened this year, stroked my palate the way Ed’s 1997 Beringer Private Reserve Cab did. A 100-pointer any way you look at it.
  • 2006 Aterberry Maresh Pinot Noir, White Rose Vineyard
    I could write a sonnet, a book, an encyclopedia about my love for this extravagant, balanced, elegant, mature, brilliant Pinot Noir from the Willamette Valley in Oregon. I learned about this wine at The Tasting Room, in Carleton, OR, during a May visit. I have opened many bottles in my home and every one gets a forehead-slapping, “I can’t believe how good this wine is” remark from Napa Valley winemakers, visitors, friends, and knowledgeable sommeliers for whom I pour it. 96-98 points. Available at The Tasting Room, Carleton, OR, at 503-852-6733. Or from the winery. Speak with talented winemaker Jim Arterberry Maresh at 503-434-7689.
  • 1990 Ridge Montebello Mataro
    Brought to dinner at one of my favorite Napa Valley restaurants, Bistro Don Giovanni, by one of my favorite wine-sharing friends, was this stunning, ethereal, syrupy rich wine, made almost exclusively from the Mataro (Mourvedre) grape. Call it the existential libation: "How do they get an 18-year-old wine to taste like a 3-year-old wine?" The wines from Paul Draper at Ridge continue to confound; even at 15... 20... 25 years... they are young, young, even younger. Is there a Ridge genie who goes around topping up older bottles with youthful juice while we sleep? How the hell does Draper do it?? A fabulous wine, screeching of fresh, youthful cherries, ambitious young fruit -- and yet the wine in the bottle is 18 years old! Easily a 97-point wine. Thanks for bringing it to dinner, Homer!
  • 1959 Jaboulet Cote Rotie, Les Jumelles
    Took this rare, 48-year-old wine to Redd restaurant, in Yountville, and experienced no disappointments as you might anticipate them from a wine of this age -- still sealed with the original cork. The wine, purchased from Garagiste, in Seattle, a year ago, was bright garnet in color with virtually no fading and no paleness at the rim. On the nose, the wine showed signs of well ridden saddle leather. We chose not to decant and after about a half-hour, the wine went into a phase of aromas which included a typical Syrah-ness. On the palate, the wine exhibited Burgundy characteristics, reminding me very much of a 64 Vosne Romanee. Toward the end of the meal (awesome braised lamb snippets with housemade pappardelle), the Syrah showed elements of black cherry and licorice that were not earlier noted. An inspiring wine, making those at the table think back to where each of us was in 1959 when the fruit for this bottle was harvested. 93 points. And worth every Garagiste penny.
  • 1997 Robert Mondavi Stags Leap District Cabernet Sauvignon
    Deep, dark and delicious, exhibiting rich, ripe black fruit flavors. 10-years-old and at its prime. Surprisingly syrupy, with a velvet mouthfeel. A 97-point wine any way you look at it.
  • 2004 Olabisi, Suisun Valley Syrah
    A powerful wine from Ted Osborne, 100 percent Syrah. Rich aromas of earth and dark ripe fruit lift from the glass. There is deep extraction, lots of spice and dark cherry in the middle palate, and great depth of flavor on the finish. A serious Syrah, but it doesn’t cost like one - $30 retail. They ran through a case quickly at Gary Danko in SF. 91 points.
  • 2003 Joseph Phelps Cabernet Sauvignon
    Served at dinner at a friend's home with a series of other Cabs, this was the wine that stood out for the evening. Gorgeous mouthfeel, almost silken; lush fruit, supple texture and a pleasing finish. 92 pts.

Books that I have enjoyed

  • Steve Toltz: A Fraction of the Whole
    A wonderful, fun contemporary romp through the eyes of a wholly (nothing fractionated here!) dysfunctional Australian family. Steve Toltz, for whom this is a debut novel, had me laughing out loud to myself many times (the first sign of a GREAT read, or the early warning sign of serious mental instability to follow, take your pick). Imagine: you pour into a blender the novels of Kurt Vonnegut (Cat’s Cradle, et al), Tom Robbins (Even Cowgirls… Frog Pajamas, etc.) Evelyn Waugh (Black Mischief), John Irving (take your pick…) , Jonathan Safran Foer (Everything is Illuminated) , Voltaire (Candide) and pulse on High for 1 minute; remove cover, season with a bit of Malraux (Man’s Fate) and perhaps some H.L. Mencken (any of his backhanded witticisms) and voila! – you have Steve Toltz and A Fraction of the Whole! Ingest slowly to make the flavors last. I haven’t had as much fun reading a book since the early days of Vonnegut. Even though the book is 530 pages, I never raced through sections and, instead, found myself savoring every word. I didn’t want this book to end from Page 1. The plot twists and turns unexpectedly and the reader will never guess what’s coming up because Toltz has an inventive spirit, creating characters when he needs them to move the story along. (*****)
  • Chandler Burr: The Perfect Scent
    Only the New York Times could dream up – or justify – having a writer who specializes in perfume – a scent columnist! I love Chandler Burr’s writing, especially his evocative, florid, colorful, imagery-rich descriptions of commercial perfumes. They should let this guy loose on restaurants – he’d make a killer reviewer. I read Burr’s previous book, The Emperor of Scent, and was dazzled by that story, a review of contemporary attempts to explain how we smell things, the last of our senses to be scientifically explored. We know how we see, we know how we hear, but, in truth, we haven’t got a fucking clue how we smell things! Now comes Burr’s best work, a stunning overview of the commercial perfume industry – The Perfect Scent (Henry Holt & Co.). This is the story of how Coty launched Sarah Jessica Parker’s perfume, Lovely, and how, at the same time, Hermes launched Un Jardin Sur le Nil – both told from Burr’s insider vantage. Both large commercial houses let Burr sit in on ALL aspects of the development of these perfumes. There are tons of wonderful, gossipy elements, scientific explanations of how they make perfume, gorgeous descriptive paragraphs in which Burr disses many popular perfumes. An example? “Yves Saint Laurent poured a river of money into launching M7, created by the star perfumers Alberto Morrilas and Jacques Cavallier of Firmenich. M7 smells like a Fiat engine engulfed in flame on a shoulder of the A6, an alarming chemical storm of burned rubber, charred metal, torched leather and toxic melting polycarbon. This is not necessarily a criticism; it was a well constructed, thoughtfully built scorched car in flames. But people stayed away by the million, and the scent was a disaster.” If you love good writing, have an interest in food or the industry that propels it to your table, this book is a good corollary backgrounder. For many of the firms, which I have hired to flavor the 8,000 food products that I have brought to market, are the same ones (IFF, Givaudan, etc.) that scent the perfumes that whisper behind your ear. And much of the way they invent new perfumes is how we invent new food products – often with more concern for the packaging than for the product, which goes into it. The Perfect Scent is a wonderful, entertaining, richly written book. I can’t recommend it enough. (*****)
  • Richard Preston: The Wild Trees
    Half of all the living species in nature are unknown -- and even more bizarre, they live in forest canopies hundreds of feet above the earth in the planet's tallest trees, according to non-fiction writer Richard Preston. I have read everything Preston, who is a regular contributor to The New Yorker, has written, including The Hot Zone (about the Ebola virus scare...), for which he is probably best known. But in reality, his best works may be his two earliest; I LOVED his account of the Hale Observatory in First Light, and his take on Nuco Steel, in the book American Steel, was a classic. Preston's new book, The Wild Trees, is a perhaps too-detailed, but very compelling look, at the ecosystems abundant in the verdant, earth-filled canopies that are 200+ feet off the ground in the majestic redwoods of northern California. This is NOT one of those anti-logging treatises but, instead, is a positive spin on how fragile, how vital and how important is the biodiversity of the towering redwoods. Preston micro-paints his lead protagonists in such fine detail that we learn extremely intimate details of their lives and you find yourself asking, "How the hell did he get THAT piece of information out of the subject?" If you're into botany, biology, or Richard Preston as a writer, this book is a must-read. If you're interested in well-crafted sentences, colorful writing, or have a basic interest in tree hugging, this book could be for you, too!
  • Elizabeth Gilbert: Eat, Pray, Love
    Everyone around me was reading this book - my good friend Richard, my wife, our friend Wendy - so I picked up a copy. And couldn't put it down. This is a must-read diary of a woman who left her husband, her lover and her life in New York and hit the road for a year, one third of it spent in each of Italy, India and Indonesia. It has food, philosophy, laughs, and a textural richness not often found in non-fiction. Each one of us, hooked on this book, read the last third more slowyly than the first; we didn't want this search-for-self saga to end. (*****)
  • Bill Buford: Heat
    A compelling, and fabulously written, book about Mario Batali. The writing is as colorful as the chef. (*****)
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May 16, 2008

An Icon is Dead. But Even More Upsetting, so is My Friend.

Bob_mondavi_1

You will have read it elsewhere first, so the news on this screen is not so dramatic, yet it is still so fresh in my mind.

Robert Mondavi, known as Bob to his friends, has died today at the age of 94.

If it weren’t for Bob, I wouldn’t live in Napa Valley and you wouldn’t be reading this.

He built this...

Bob_mondavi_2

… but he did so much more. Bob Mondavi influenced EVERYONE in Napa Valley wine circles and is the Dean Emeritus of Wine in Napa Valley, if not America.

Bob called in 1980, urging me to come report on a new promotion, The Great Chefs of France Cooking School. He wanted to prove that American wines were every bit as good as classic French wines from Bordeaux and Burgundy and that his Mondavi wines paired exceptionally well with great food.

I was then Food Editor and Restaurant Critic of the largest newspaper in Canada (The Toronto Star, one of the five largest daily circ papers in North America), Bob stated his intention – that he wanted to convince food writers like me that his wines were on par with the Great Wines of France.

Exactly 28 years ago this very week, I flew to Napa Valley to cover the cooking classes of Jean Troisgros, whose family ran – and still runs – what is considered by many the single greatest restaurant in the world (Restaurant Troisgros, in Roanne, France).

We cooked with Jean for three days in Oakville, at the epicenter of Napa Valley and late into the night, I sat with Bob and Jean in the winery’s Vintage Room, swirling and sipping the greatest Bordeaux and best young Burgundies and Bob put his own Cabs and Pinot Noirs up for comparison.

Jean and I were incredibly impressed at the quality of Bob’s wines and I was so overwhelmed with the three-day writing assignment that I called home and told my wife that “one day we are moving here to Napa Valley.”

The place, the people – and particularly Bob Mondavi – had shook me to the core; I was not a greenie off the boat, struck by big lights or celebrity. I had traveled the world, been a foreign correspondent for years in Africa, had enjoyed dinners at the homes of world leaders and had spent time with some of the world’s top chefs, researching and writing profiles for various media.

No, what Bob introduced me to was a lifestyle, a persistence for “excellence,” and Napa Valley resonated within me in a way that no other place had ever done before, or since.

It took me 17 years to make the move to Napa Valley happen; we first had to get our kids to and through college but when the coast was clear, we upped and moved and became permanent fixtures of Napa Valley in 1997.

And I owe my life today to Bob and his dedicated and wonderful wife Margrit Biever Mondavi, who invited me to this valley, who became friends over the years that we have lived here, and who showed America how wine could become an instrumental part of the dinner table. And how good wine could be made in this nation.

Tonight, the wine industry mourns a fallen leader, a giant, an icon. But I mourn the loss of a friend and mentor.

My first glass at dinner tonight will be raised in Bob’s memory. He showed me – he showed us all – a way to live our lives; to not give in, to follow one’s passions and do it kindly and with humility.

I already miss you, Bob. Big time.

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Comments

Napa Man,

Thanks for sharing these stories of Bob--his name is known around the world, but to me he was a real person. I live in Yountville and knew Bob, too. I've been so sad reading the somewhat aseptic reports of his passing from the AP and other news sources. To those of us who did know him and his family, stories like these help ease the loss.

Best regards,

Chela

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